Showing posts with label foam latex. Show all posts
Showing posts with label foam latex. Show all posts

18 July 2012

Surge (War of the worlds)


The last project I have been helping out on for my assistant animator brief is a stop motion trailer for ‘The War of the Worlds’ by Zeke Ares, but due to copyright it was changed to the new title of ‘Surge’. I have been very excited about this project for a long time. Zeke told me he wanted me to be working on this way back in 2011 as I am a big fan of War of the Worlds and I jumped on the chance to work on it. I was made the lead animator right away, so I knew I would not be doing much on this project until we came to animating, but as things were being built I could not keep way and helped.
 
As soon as Zeke had the first small tripod (core pod) puppet test made he handed it over to me so I could do a walking test and show how a stop motion tripod would move. I spent the rest of that day animating the test, taking my time so I could get the motion right. The end result was that the core pod did move very slowly but I was happy to get the motion of three legs right. And for the final animation we would speed up the moment of the legs.
Happy with the test, I wanted to do more tests as we had this idea of making the core pods jump and land on people. To make this jump test look more like a shot from the film I took Zeke's old War of the Worlds inspired diorama he made back in 2011. I spent two days animating this test as I had to work around the limitations of the set, mostly waiting for the glue and paint to dry. The puppet also had to be screwed to the sets and attached to a jumping rigged which was painted out in the editing.

When I showed Zeke the test he was over the moon with the test shots he turned round and told me he wanted to make me the Co-Director of the project. This would give me more of a creative input as to how some shots would look, as well as sharing story ideas, and to help out when doing the after FX and editing. I jumped at this chance and was so pleased that he had let me be such big part of his final film. 
I won’t go into too many details on how the shoot went as the film will not be released online until 2013, and there will be a more detailed post on the animating and editing side of the production then. But what I will tell you is that Zeke and I did the entire Stop motion shoot and we had a brilliant 2D and after FX team. There was also so one big shot that we shot using 3 cameras from 3 different angels all at the same time.

For more info Check out Zeke’s production blog here 


If you can’t Waite until 2013 here are the two test animations I did to give you guys a tees of what to expect. And as always your comments and feedback are welcome.

5 July 2012

The Cobweb Hotel Update:


To see the first Cobweb Hotel related post click ‘here’

After the Christmas break a hand full of us spent a week caring on carving the wood from foam board making a wood pattern with a scalpel. Once done we glued down and covered the foam in aertex paint to give it a ruff texture to paint on. When this had dried me and two others started to apply the first coats of dark brown paint.  When this had dried we started to apply the lighter coats of brown and yellow paint to the set.  To get the required paint effect to the set the paint was applied by dry brushings. 
 When the set was finished we began to work on the props.  My task was to make a giant fountain pen that the flies use to attack the spider with.  I made the pen by having the inner cardboard tube from a roll of cling film which I covered with multiple layers of tin foil to get the shape needed for the pen.  Once I was happy with the shape I then went over it with a thin layer of Super Sculpey.  I painted this with multiple layers of acrylic paint to get it exactly the right tone to fit in with the animation style.  To make the pen nib I cut a thin slit in the end and used a shiny golden card to make the nib and glued it in place.  As this pen would be use by the flies, which would fly around with it, I drilled a hole in the side to place the K+S tubing into, so I can mount the pen on to a flying rig.
With the pen finished I was given the task of making of the stunt fly puppets. Using an original test  maquette made by a different student I remade it adding a few adjustments which would make it more of a textured puppet on the face, so it would appear more 3D and much less like a 2D painted sculpture.  The maquette took 3 days to make and once I was happy with it I took it into the plaster room to cast the mold from it.  It took a day to make the first half of the cast; I then removed the clay to make the second half.  When the plaster was dry I opened it to remove the clay sculpt and put it in the drying-out room for a week.
When the mould had dried out I started on making the armatures for the flies.  As the flies I am making are the stunt flies I have to make 3 identical puppets.  As these are the stunt flies they will not be used as much as much on screen as the two hero fly puppets.  This meant I could get away with making the armatures out of very basic wire, milliput for the joints and metal plates welded to K+S for the feet. 
With the three armatures now all made I handed them and the mould over to my tutor so he could cast the puppets up in foam latex. As he could only cast one puppet at a time, he would give me one finished puppet and started casting the next one. I would use this time to get the puppet ready for painting.  I did this by cutting off the extra foam with scissors and touching up the smaller parts with a soldering iron.
 With the puppets now cast in foam latex I started to paint them.  As these are the stunt flies and have a very basic colour scheme, I painted them with a half and half mix of acrylic paint and liquid latex.  I painted the body head, hands and feet of the flies, but, due to time restraints and setting up the set, camera and the light for animating, I did not have time to finish the faces of the flies for the Monday morning.  So I got a course mate to paint them with the main base colour for me, I then went over the black parts of the face again, adding the finishing rounded off look to the face.  The mouths and eye shapes will be made on the day, by whoever is animating them, out of painted card. 

With everything now all complete, it was time for me to start animating.  My scene was the first shot of the films where the spider sings the opening song.  This shot took me and my tutor a day to set up.  We had to set-up lights and camera as well as solving problems with puppet and the set flooring, as the magnets would not hold with the foam board under it.  Once this was done I had 2 and a half days to animate the 17 seconds-long song.  This was a tricky shot for me to animate as I had to time the body movements, hand gestures, and lip sync to the prerecorded song.  This was a tricky shot as the puppet was so big, had 6 legs that’s had to keep still, was very top heavy and would start to fall when in mid-shot, it took a lot longer for me to animate.  With the shot now finished I am very happy with the way it looks and I think I did a good job get the character across.  There are some things, if I could reshoot, I would like to change, mostly on the arms’ animation.  As I feel in some places you can see where it was getting close to 5am and I was rushing to get it finished!
The second shot I animated on was a scene where the spider tries to grab the male and female flies, as the full cast was used in these shots I animated the scene with my mate Joel.  This was the first time I got to animate with someone else. It was a very different animating experience for me but I had a lot of fun and it was great to have someone to help plan out the scene with.  We started off with me animating the female fly and Joel animating the male.  We took it in turns to move the spider.  After the spider had got hold of the female fly we changed to me animating the spider and Joel animating the male fly.  We animated this scene over 2 days and it was 14 seconds long.
Here are the final two shots edited together, I hope you enjoy it and as always your comments and feedback are very welcome! 

30 December 2011

I’M BACK and it’s time for updates!


Hey everyone I hope you all had a grate and relaxing Christmas. As you may have spotted I have been very busy with university work and sadly I had no time to update my blog with all the new photos and videos of what I have being doing. But now with Christmas over I can now get back in to the swing of things and get you all up to date on how everything has being doing.

So keep an eye out over the next 2 weeks for all my news and update on my university work, puppets, videos, oh yes and finally I will be revealing all-new news, photos and the final trailer for Viv & Mandy in the Big Clean Up part 2!

And as all ways your comments and feedback are always welcome.

13 November 2011

Conflict of self project part 2:

It’s time I updated you all on how my Conflict of self project for university is going, in my last post for this project I had made the final clay sculpts for good side and the bad side characters and coloured them on Photoshop.  
The next step for me was to put them in to some dramatic character poses. I took around 4 different poses of each character based on a series of life drawings I did.


 I then picked my favourite 2 poses of each sculpt and coloured them on Photoshop.


With the designs for the good and the bad guy finalised by my tutors, I started making the bad guy design into a puppet. I started on this puppet first as I knew it would take longer to make, as I would be making it using a technique I have not done before. This can be seen in this YouTube tutorial by the awesome and very talented Nick Hilligoss. 


I will be making this puppet using a ball and socket armature( that was very kindly given to me by Tom Brierton) covering it in foam, using spray glue so it won’t peel off, Then cutting down the foam with nail scissors to the size and shape I need.


Once I cut the foam down to the basic shape I needed, I then started building up the body mass, hands and muscles. To do this I used pieces of foam and Copydex glue, i used this as its latex based and I no it will not weaken or dissolve when Its painted over with the liquid latex.
 
 
I have being building up this puppet now for around 3 weeks and this is where I am currently up to.


As part of the rushes presentations at university we were asked to make an animatic of the short story line we had come up with, showing the two characters interacting with each other. As i don’t want to give away the whole story here is a small sample clip from my animatic. 




With all the extra foam getting added to the puppet i was concerned that it would restrict its movement when animating. To make sure it still had all its movement I did this quick animation test. 



I was happy with how the animation test came out and I have decided that i will do a second test once all the foam has been added to the puppet and not yet painted, keep an eye out for them and more making of images in my next conflict of self post.